Towards an Adventist Architecture:
Studies in Ellen White
ABSTRACT
Ellen White was involved in the building of the
Seventh-day Adventist church, not only as a spiritual leader, but
also as a leader in the tangible aspects of church growth. This
study is to illustrate that she was involved in the field of
architecture within the denominational setting, that her writings
espouse design principles that are applicable today, and that
these principles are being supported by theoreticians and
practitioners in current architectural thought
OUTLINE
I.
Introduction
II. Ellen White (Web
Site)
A. Credentials
B. Research analysis
1. Methodology
2. Conclusions
III. Christopher Alexander
(Web Site)
A. Pattern language
B. Principles
IV. Illustrations
A. Springerville church, Arizona
B. St. Matthews church, California
V. Conclusion
Lyndon W. Ernst
Architecture
May 12, 1987
The purpose of this
dissertation is to examine the potential and possibility of Ellen
White as a source of architectural design philosophy, to compare her
principles to those of a current architectural theory, and to
illustrate those principles with actual buildings. The reasons for
this research are twofold: 1. to aid in the creation of a design
philosophy in my Bachelor of Architecture thesis, which is the
relocation of Thunderbird Adventist Academy (this boarding academy
serves a student body of 300 and all of the facilities for an
Adventist educational program must be provided), 2. to develop a
collection of Ellen White's writings on architectural subjects,
because there was no available sources.
The research methodology
involved a key word search using the Index to the Writings of
Ellen G. White and the manuscript files of the Ellen White
Research Center at Andrews University. Words that specifically
discussed architecture were almost non-existent, so words that
described aspects of architecture were used, such as: buildings,
college, education, church building, construction, sunshine,
ventilation, air, sleep, and other related terms. From this key word
search approximately 50 pages of quotations from the published works
were found, and a limited archival search was conducted. After this
search, selected current architectural thought was studied to
establish if there was any similarity.
This research in Ellen White's writings has
found: 1. that she accumulated a large amount of practical and
advisory experience in the field of architecture, and 2. that in her
written advise on building design there can be found some basic
principles that may be abstracted and compared to current
architectural theory.
Ellen White was involved with the construction
and direction of many buildings in her life time, both as a church
leader and as the church's spiritual advisor. Her experience ranged
from the large complex architectural problems of Avondale and Battle
Creek, to the construction and design of her own personal houses in
Battle Creek and Sunnyside in Australia. Beside this actual (hands
on type) of experience she was consulted by church leaders as they
planned new buildings for the expanding church.
In her role as church leader and spiritual
advisor Ellen White had a large influence on the design of church
related buildings. In Australia she guided and assisted the church
leaders in the acquisition of the Avondale property and then moved
to a location near the property and built a house to demonstrate
proper building design, (as well as encourage the faith of the
workers at the new school). She also assisted in the design of the
campus and its buildings, and guided the appropriate placement and
construction of the buildings. In telling of these building
experiences, she often refers to the guidance she received through
dreams and from the scriptures. For instance in 1896 she writes that
a decision to build the church at Avondale was being delayed and she
was shown in a dream the urgency for beginning to build. She was
also shown the appropriate placement, and the appropriate design
approach for that church. The extent of her practical experience and
the spiritual focus of her building philosophy serve to illustrate
her unique credentials on the subject of architectural theory and
design.
The principles espoused by Ellen White were taken
from the quotations found in the key word search. To do this it was
necessary to first compile the quotations that were found and then
to do a comparative study of the compiled material. At this point a
distinction was not made in the source, (whether the book was
original material or a compilation).
The intention of the study was to find any
over-all architectural design theories that might be relevant,
regardless of specific architectural form and then to test these
concepts by cross referencing them in the compiled quotations and
returning to their initial source, if necessary, to confirm the
context of the statement.
Thus, when Ellen White's writings were examined
for theoretical principles of design, 3 basic principles became
apparent: 1. that buildings should be economical, i.e. she espoused
an economical architecture; 2. that buildings should be built by a
community of hands and minds, i.e. a participatory architecture; and
3. that buildings should enhance and accommodate human enjoyment of
life, i.e. a humane architecture.
Ellen White writes of the first principle, an
economical architecture, in Manuscript 127, 1901. She was apparently
writing a letter to someone who is not identified in the manuscript.
She begins by saying that she has a severe cold because of the
meetinghouse in Trenton where she had a speaking engagement. The
building was so draughty that she wrote, Trenton needs a
"plain, neat, and substantial meetinghouse". She then
notes that some ask her why she is always using the phrase
"plain, neat, and substantial" when talking about
buildings. Her answer is that she wishes Adventist buildings to
represent the "perfection God requires from His people".
From the text it would appear that people were saying that Christ is
soon to return and because of this buildings should be built as
cheaply as possible. Her response to this theory was that the
materials used in a building should be the materials that will do
the best for that situation. Her reasoning was that when Christ was
on this earth everything he built was well made, with every part
built to handle what it was designed to do. By comparing this
manuscript with other statements on the same subject, such as Testimonies
vol.7,p.83 where she writes (after a discussion on the relative
merits of brick or wood) that "Economy must be our study",
it can be seen that the question of an economical form of
architecture must be addressed.
Of her second principle, a participatory
architecture she writes, speaking of Avondale, that the students
should be taught how to maintain the school grounds and buildings,
and how to design and build the necessary buildings for the school.
Comparing this with her statements from several different sources
that church members are to build their own churches with the aid of
the pastor and his advisors, (i.e. architects and builders) it would
also appear that the participation of the user is an important part
of architecture.
Finally, the idea of a human architecture is
easily seen when one considers the health message that Ellen White
spent so much of her life presenting and the many cases where she
calls for comfortable and convenient buildings, such as her comments
in Testimonies vol.6, p.208 where she writes about the
erection of school buildings. She says "they should be as
homelike as possible". On the subject houses she writes in Fundamentals
of Education p.155 that rooms for human use should be as
cheerful as possible, and when writing about church architecture she
says that buildings that are set aside for God to meet with His
people must be "comfortable, neat, and convenient", or in
architectural terminology humane. The question may now be raised,
these principles seem apparent, but do they really work in today's
high-tech, highly specialized world?
In answer to this
question Christopher Alexander, a highly acclaimed theoretician in
the world of architecture. Who is also a professor of architecture
at UC, Berkley and a practicing architect, has observed that most of
the places in the world that people go to see were not designed by
architects but by the people. He then proposes the architectural
world that the thing that makes a place "alive", a place
that people enjoy and are comfortable in, is deeply rooted within
the human experience as a set of patterns. These patterns have been
easily followed in the past because the culture has maintained what
he calls a pattern language, a set of cultural rules of thumb that
describe what is necessary to create a building form that answer the
needs of the people and the forces of nature in that area. He then
writes that the industrialized world has lost this pattern language
because of increased technological specialization and loss of
cultural identity.
Alexander proposes that these patterns must be
rediscovered and reapplied if we are to create a world where humans
can again enjoy life and create truly humane spaces. He proposes
that a common language of architectural design and construction be
initiated so that everyone can understand how it is that buildings
are built.
This language is similar to Ellen Whites
principles in that it: 1. promotes the participation of community
members in the construction of buildings because they understand the
language of construction, 2. creates an architectural form that is
humane as historical architecture tends to be, and 3. develops a
sense of economy because people will use locally available materials
and will be more in tune with the local environment. The patterns in
his book A Pattern Language are designed to inform the
non-professional as well as the professional about the process of
building in this manner. His reason for writing this book was to
develop a pattern language that everyone could use and understand.
By allowing everyone to understand a common building sequence, or
language, he is promoting a system of architecture that can be
easily controlled and built by the building users and their
professional consultants. This form of architecture will necessarily
lead to a participatory, humane, and economical architecture,
because the potential building user is involved and can mold
building design and construction phases to meet his needs and
desires.
It may seem that if Alexander's' ideas were
accepted architecture would soon return to the buildings of our
fore-fathers because of the loss of specialization that is necessary
to construct a highly technological building, and it is true we
might. But as Christopher Alexander has pointed out in his book The
Timeless Way, the great cathedrals of Chartes and Notre Dame
were created with a pattern language. Guided by the Master builder
(the medieval architect) the people of that time used a common set
of rules or patterns that allowed them to produce buildings that are
to this day wonders of architecture.
The ideas of a participatory, humane, and
economic form of architecture can also be seen today. Many buildings
have been built using these concepts within the last century. Many
of these were designed and built by the people, and some of the most
exciting buildings designed by architects, have also used these
principles.
To demonstrate the use of
these principle a small church in Arizona, and a award winning
church have been selected.
The small church in Springerville, Arizona is a
good example of these principles. Although not designed by an
architect it is still a building that speaks of the values of the
community it serves.
The church serves a small community that is
supported by the ranching and forestry industries. This leads to a
situation where there is not necessarily a lot of money, but there
is always a large amount of practical knowledge in the building
area. The church building was first designed by the pastor and a
local elder and then built by the congregation with local materials,
to fit that small groups needs. The congregation grew and the next
pastor initiated another building program to add on a school/sabbath
school classroom, some of the people then saw a need for an
appropriate entrance and a steeple, so that was added and at present
a rather large community service, school addition is being added,
with an architect designed new sanctuary being discussed as the next
project. The economy of this community has demanded a large involvement
by the congregation and they have built a church structure that
represents their beliefs and would do justice to the church at
large.
Although they probably never thought of making
the building a humane building, they were concerned with comfort,
convenience, neatness, and other terms in common use that make up a
humane architecture. They probably did not think about a true
economy either, but with the use of the terms: maintenance free,
durable, and the most for the money, and the local pattern language
for materials, the building shows a knowledge of materials usages
that would tend to create a true sense of economy. While this church
building is representative of the principles/patterns Ellen White
and Christopher Alexander espouse it also provides examples of human
limitations, that while not destroying the integrity of the building
do detract from the overall picture, such as having to walk the side
of the podium to get to the restrooms in the back classroom.
Examples of architect designed buildings that
follow the principles of participatory, humane, and economic
architecture are also available. The St. Matthew's church in Pacific
Palisades, California is an excellent example of participatory, and
humane architecture, the economy of the building cannot be
established because of a lack of resource material.
Charles W. Moore, FAIA says of this church
"We didn't design the church, the congregation did,". The
original church had been burnt in a forest fire. The congregation
wanted to participate in the design of the new church and made that
participation a requirement for the acceptance of an architectural
firm. The firm Moore Ruble Yudell was hired to design the church.
They accepted the participation requirement because they had built
that way before and had enjoyed the process. Four workshops were
scheduled to facilitate this participation, at each of these
workshops more than 200 parishioners were involved. The architects
job was to facilitate the design expression of the parishioners and
to synthesize the apposing view points that existed. These four
workshops established the schematic design and a 13-member building
committee was appointed to work with the firm to complete the
design. The results are a building that is contemporary and yet
maintains the past, straight forward and yet filled with surprises.
The spatial sequencing, the texture of the materials, and the
acceptance of the site all combine to create a building that is at
once contemporary and humane.
In conclusion a review of the findings would be appropriate. All
architecture and especially religious architecture is indicative of
the value people place on its functions. To attain a correct
interpretation of the value placed on it by a community,
architecture must be participatory, humane, and economical. In other
words the building must involve the users in its creation, life, and
death, the building must facilitate a human enjoyment of life, and
the building must be truly economical in its use of resources.